robustious adj.
violent, boisterous, noisy, strongly self-assertive, pompous.
Hamlet III:ii: O, it offends me to the soul to hear a robustious periwig-pated fellow tear a passion to tatters. | ||
Polite Conversation 50: Poh; you are so robustious: You had like to put out my eye. | ||
Pierce Egan’s Life in London 10 Oct. 6/3: I can’t say much for the man but the woman was outrageously robustive and obstropolous. | ||
in Letters (1887) 163: They had a roaring, robustious, romping party, of which he gave very amusing details . | ||
Exeter & Plymouth Gaz. 22 Oct. 4/1: Still in robustious youth, when they are fled, Unharm’d. | ||
Putnam’s Mag. Sept. in (1872) 628: A pair of spanking bays flanked the pole, and a strapping, robustious, fellow with immense whiskers rode on the box. | ||
Western Dly Press 29 Sept. 3/1: He was too tame, the bad opposite of the too robustious. | ||
Americanisms 628: Robustious, instead of robust, used by persons who love to be emphatic, even at the cost of vulgarity. | ||
Western Times (Devon) 4 June 8/4: Shakespeare speaks of ‘the robustious periwig-pated fellows that tear a passion to tatters’. | ||
Daily News 29 Oct. in (1909) 210/1: Mr Barnes’s unfortunate tendency on this occasion was to a rather ‘robustious periwig-pated’ style that sits ill upon the shoulders of so sentimental a personage as Lord Lytton’s Claude Melnotte. | ||
Liverpool Echo 20 Oct. 4/2: A Too Robustious Suitor . Higgins [was] fined £20 and costs [...] for assaulting a lady whom he had asked to marry him. | ||
Worcs. Chron. 6 July n.p.: The Bishop [...] refused to sit calmly down to his potatoes and cabbages while the Boers were becoming robustious on roast beef. | ||
Hull Dly Mail 2 Apr. 3/4: The ‘robustious’ pantomimic sing-song, ‘The Pride of Byzantia’. | ||
Cork Examiner 26 Aug. 6/6: The robustious, confuident, bracing young man. | ||
Western Morn. News 26 July 6/2: There is plenty of envy, an enviable quality in every robustious order of society. | ||
Dundee Courier 13 June 2/1: Robustious rhetoric [...] will not take us far without practical exertions to translate it into reality. | ||
Earl Wilson’s New York 24: Willene Barton saxophoned it to the limit, rocking the instrument up and down in front of her, in a robustious performance. |